Approach creative Sien-Sébastien
I do my own research on the subject, technique, history and different artistic movements. My learning is much faster and more efficient in my studio and the library in an educational institution. In all my research, the composition of the image is the topic that fascinates me most. Constructivism, architecture and structure as the freeze line has always been an interest in my mind. On these issues, I keep all possible scores in order to one day write about the pictorial orchestration, composition and visual harmony.
Turning a production very careful in the hypergraph, the oil painting and ink drawings are my main fields of action. From realism to abstraction almost complete, my work is a psychic representation of a being, a union or relationship between several elements; my paintings may look like an accumulation of organic masses very dark, a main subject whatever, very clear colorful identified lines, or a blend of both styles.
The female expression and curves are soft and tender almost always present in my work. My subjects are varied, to me, the important thing is the way that we treat the energy use of the surrounding forces to create something new, something unique, something that can become sacred. The subject, style or technique used did not matter. For example, some people serve me studies of all kinds; landscapes, portraits, potted flowers, still lifes, etc.. These primary subjects push me back to the single source of creation, to the sweet sensation of a female presence unobtrusive and soothing.
My works, born of dreams, are often created without preliminary drawing or sketch, sketch or drawing. For some other (rarer and more elaborate) rigid compositions and several drawings were made before, during and after the creation of the work. I do not trace in pencil on a canvas, everything is done directly by brush. My strong point is the line art. The complete and detailed drawings are almost nonexistent in my work, they are for the most part, that plots of fine lines. I use the drawing part, to simplify, to take notes, to work part of a work, or composition.
My two main projects, inks and oils, are the beginning and end of a production cycle that is repeated infinitely. In constant rotation and extension, this movement is the concrete representation of a cycle that includes several other psychic projects ... As time progresses, each of them becomes more complex, the more obvious link between them is strong and harmony.
From a long decline, periods of artistic Sabbath have improved my technique and knowledge of my work. I discovered that, contrary to what I thought was younger, my conscience grow produce that is growing up and ponder my technical abilities. These periods allowed me to know the true nature of my creative needs.
"The science of painting lies in the mind that conceives it, whence then comes the performance much more noble than that theory or science. "* *
DA VINCI, Leonardo," Leonardo da Vinci, Treatise on Painting, "translated text and commented by André Chastel-c-Calman-Lévy 2003 ISBN 2-7021-3378-9
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